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        <frbr-work:work identifier="http://vfrbr.info/work/1">
            <frbr-work:titleOfTheWork>El Salón México</frbr-work:titleOfTheWork>
            <frbr-work:formOfWork>Orchestral music</frbr-work:formOfWork>
            <frbr-work:dateOfTheWork>1932 to 1936</frbr-work:dateOfTheWork>
            <frbr-work:mediumOfPerformance>Orchestra</frbr-work:mediumOfPerformance>
            <frad-work:subjectOfTheWork>Orchestral music</frad-work:subjectOfTheWork>
            <frad-work:history>The work is a musical depiction of an eponymous dance hall in Mexico
                City and even carries the subtitle, "A Popular Type Dance Hall in Mexico City."
                Copland began the work in 1932 and completed it in 1936. The Mexico Symphony
                Orchestra gave the first performance under the direction of Carlos Chávez (1937).
                The piece was premiered in the U.S. in 1938. Although Copland visited Mexico early
                in the 1930s, he based this tone poem not on songs he heard there, but rather on
                written sheet music for at least four Mexican folk songs that he had obtained: "El
                Palo Verde," "La Jesusita," "El Mosco," and "El Malacate." At least two arrangements
                of the piece exist in addition to the orchestral score. Copland adapted the work for
                the 1947 musical film Fiesta, directed by Richard Thorpe for MGM. Leonard Bernstein
                created arrangements for solo piano and for two pianos, four-hands very shortly
                after the premiere. (Source: http://en.wikipedia.org/wiki/El_Salon_Mexico. Accessed
                1/26/2010)</frad-work:history>
            <frad-work:history>First performance date: 1937-08-27</frad-work:history>
        </frbr-work:work>

        <frbr-work:work identifier="http://vfrbr.info/work/2">
            <frbr-work:titleOfTheWork>Concertos, clarinet, string
                orchestra</frbr-work:titleOfTheWork>
            <frbr-work:formOfWork>Concertos</frbr-work:formOfWork>
            <frbr-work:dateOfTheWork>1947 to 1948</frbr-work:dateOfTheWork>
            <frbr-work:mediumOfPerformance>Clarinet</frbr-work:mediumOfPerformance>
            <frbr-work:mediumOfPerformance>String Orchestra</frbr-work:mediumOfPerformance>
            <frad-work:subjectOfTheWork>Concertos (Clarinet with string
                orchestra)</frad-work:subjectOfTheWork>
            <frad-work:placeOfOriginOfTheWork>Rio de Janeiro,
                Brasil</frad-work:placeOfOriginOfTheWork>
            <frad-work:history>First performance date: 1950-11-06</frad-work:history>
            <frad-work:history>"It was in Rio de Janeiro in 1947 that [Copland] began work on his
                Clarinet Concerto, which had been commissioned by the great jazz clarinettist and
                bandleader Benny Goodman." (Program notes)</frad-work:history>
        </frbr-work:work>

        <frbr-work:work identifier="http://vfrbr.info/work/3">
            <frbr-work:titleOfTheWork>Music for the theatre</frbr-work:titleOfTheWork>
            <frbr-work:formOfWork>Suite</frbr-work:formOfWork>
            <frbr-work:dateOfTheWork>1925</frbr-work:dateOfTheWork>
            <frbr-work:mediumOfPerformance>Chamber Orchestra</frbr-work:mediumOfPerformance>
            <frad-work:subjectOfTheWork>Suites (Chamber orchestra)</frad-work:subjectOfTheWork>
            <frad-work:history>First performance date: 1925-11-20</frad-work:history>
        </frbr-work:work>

        <frbr-work:work identifier="http://vfrbr.info/work/4">
            <frbr-work:titleOfTheWork>Connotations</frbr-work:titleOfTheWork>
            <frbr-work:formOfWork>Orchestral music</frbr-work:formOfWork>
            <frbr-work:dateOfTheWork>1962</frbr-work:dateOfTheWork>
            <frbr-work:mediumOfPerformance>Orchestra</frbr-work:mediumOfPerformance>
            <frad-work:subjectOfTheWork>Orchestral music</frad-work:subjectOfTheWork>
            <frad-work:history>First performance date: 1962-09-23</frad-work:history>
        </frbr-work:work>

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            <frbr-expression:titleOfTheExpression>El Salón
                México</frbr-expression:titleOfTheExpression>
            <frbr-expression:formOfExpression>Musical sound</frbr-expression:formOfExpression>
            <frbr-expression:dateOfExpression>1989-10</frbr-expression:dateOfExpression>
            <frbr-expression:extentOfTheExpression>12:00</frbr-expression:extentOfTheExpression>
            <frbr-expression:mediumOfPerformance>Orchestra</frbr-expression:mediumOfPerformance>
        </frbr-expression:expression>

        <frbr-expression:expression identifier="http://vfrbr.info/expression/2">
            <frbr-expression:titleOfTheExpression>Concertos, clarinet, string
                orchestra</frbr-expression:titleOfTheExpression>
            <frbr-expression:formOfExpression>Musical sound</frbr-expression:formOfExpression>
            <frbr-expression:dateOfExpression>1989-10</frbr-expression:dateOfExpression>
            <frbr-expression:extentOfTheExpression>18:00</frbr-expression:extentOfTheExpression>
            <frbr-expression:mediumOfPerformance>Clarinet</frbr-expression:mediumOfPerformance>
            <frbr-expression:mediumOfPerformance>String
                Orchestra</frbr-expression:mediumOfPerformance>
        </frbr-expression:expression>

        <frbr-expression:expression identifier="http://vfrbr.info/expression/3">
            <frbr-expression:titleOfTheExpression>Music for the
                theatre</frbr-expression:titleOfTheExpression>
            <frbr-expression:formOfExpression>Musical sound</frbr-expression:formOfExpression>
            <frbr-expression:dateOfExpression>1989-10</frbr-expression:dateOfExpression>
            <frbr-expression:extentOfTheExpression>24:00</frbr-expression:extentOfTheExpression>
            <frbr-expression:mediumOfPerformance>Chamber
                Orchestra</frbr-expression:mediumOfPerformance>
        </frbr-expression:expression>

        <frbr-expression:expression identifier="http://vfrbr.info/expression/4">
            <frbr-expression:titleOfTheExpression>Connotations</frbr-expression:titleOfTheExpression>
            <frbr-expression:formOfExpression>Musical sound</frbr-expression:formOfExpression>
            <frbr-expression:dateOfExpression>1989-10</frbr-expression:dateOfExpression>
            <frbr-expression:extentOfTheExpression>20:29</frbr-expression:extentOfTheExpression>
            <frbr-expression:mediumOfPerformance>Orchestra</frbr-expression:mediumOfPerformance>
        </frbr-expression:expression>

        <frbr-manifestation:manifestation identifier="http://vfrbr.info/manifestation/1">
            <frbr-manifestation:titleOfTheManifestation>El salón México ; Concerto for clarinet ;
                Music for the theatre ; Connotations</frbr-manifestation:titleOfTheManifestation>
            <frbr-manifestation:statementOfResponsibility>Aaron
                Copland</frbr-manifestation:statementOfResponsibility>
            <frbr-manifestation:placeOfPublicationDistribution>Hamburg,
                [Germany]</frbr-manifestation:placeOfPublicationDistribution>
            <frbr-manifestation:publisherDistributor>Deutsche
                Grammophon</frbr-manifestation:publisherDistributor>
            <frbr-manifestation:dateOfPublicationDistribution>1991</frbr-manifestation:dateOfPublicationDistribution>
            <frbr-manifestation:formOfCarrier>Compact Disc</frbr-manifestation:formOfCarrier>
            <frbr-manifestation:extentOfTheCarrier>1 sound
                disc</frbr-manifestation:extentOfTheCarrier>
            <frbr-manifestation:physicalMedium>Plastic with
                metal</frbr-manifestation:physicalMedium>
            <frbr-manifestation:captureMode>Digital storage</frbr-manifestation:captureMode>
            <frbr-manifestation:dimensionsOfTheCarrier>4 3/4
                in.</frbr-manifestation:dimensionsOfTheCarrier>
            <frbr-manifestation:manifestationIdentifier>Deutsche Grammophon:431
                672-2</frbr-manifestation:manifestationIdentifier>
            <frbr-manifestation:manifestationIdentifier>2894316722</frbr-manifestation:manifestationIdentifier>
            <frbr-manifestation:manifestationIdentifier>(OCoLC)ocm25003614</frbr-manifestation:manifestationIdentifier>
            <frbr-manifestation:playingSpeed>1.4 m. per sec.</frbr-manifestation:playingSpeed>
            <frbr-manifestation:kindOfSound>Stereophonic</frbr-manifestation:kindOfSound>
            <frbr-manifestation:specialReproductionCharacteristic>Digital
                recording</frbr-manifestation:specialReproductionCharacteristic>
        </frbr-manifestation:manifestation>

        <frbr-manifestation:manifestation identifier="http://vfrbr.info/manifestation/2">
            <frbr-manifestation:titleOfTheManifestation>El salón México ; Concerto for clarinet ;
                Music for the theatre ; Connotations</frbr-manifestation:titleOfTheManifestation>
            <frbr-manifestation:statementOfResponsibility>Aaron
                Copland</frbr-manifestation:statementOfResponsibility>
            <frbr-manifestation:placeOfPublicationDistribution>Bloomington,
                IN</frbr-manifestation:placeOfPublicationDistribution>
            <frbr-manifestation:publisherDistributor>IU Music
                Library</frbr-manifestation:publisherDistributor>
            <frbr-manifestation:dateOfPublicationDistribution>1999-04-01</frbr-manifestation:dateOfPublicationDistribution>
            <frbr-manifestation:seriesStatement>Variations</frbr-manifestation:seriesStatement>
            <frbr-manifestation:formOfCarrier>Remote</frbr-manifestation:formOfCarrier>
            <frbr-manifestation:captureMode>Digital storage</frbr-manifestation:captureMode>
            <frbr-manifestation:manifestationIdentifier>ACM2567</frbr-manifestation:manifestationIdentifier>
            <frbr-manifestation:sourceForAcquisitionAccessAuthorization>IU Music
                Library</frbr-manifestation:sourceForAcquisitionAccessAuthorization>
            <frbr-manifestation:accessRestrictionsOnTheManifestation>To be used in the IU Music
                Library or by registered
                students.</frbr-manifestation:accessRestrictionsOnTheManifestation>
            <frbr-manifestation:kindOfSound>Stereophonic</frbr-manifestation:kindOfSound>
            <frbr-manifestation:systemRequirements>Windows XP, Windows 2000, Windows Vista, or Mac
                OS X. QuickTime 7.</frbr-manifestation:systemRequirements>
            <frbr-manifestation:fileCharacteristics>.mp3</frbr-manifestation:fileCharacteristics>
            <frbr-manifestation:modeOfAccess>World Wide Web</frbr-manifestation:modeOfAccess>
            <frbr-manifestation:accessAddress>http://www.music.indiana.edu/cgi-bin/var/access?ACM2567</frbr-manifestation:accessAddress>
        </frbr-manifestation:manifestation>

        <frbr-item:item identifier="http://vfrbr.info/item/1">
            <frbr-item:accessRestrictionsOnTheItem>Restricted
                access</frbr-item:accessRestrictionsOnTheItem>
            <frad-item:locationOfItem>Woodward Collection, IU Music
                Library</frad-item:locationOfItem>
        </frbr-item:item>

        <frbr-item:item identifier="http://vfrbr.info/item/2">
            <frbr-item:itemIdentifier>ACM2567</frbr-item:itemIdentifier>
            <frbr-item:accessRestrictionsOnTheItem>Restricted
                access</frbr-item:accessRestrictionsOnTheItem>
        </frbr-item:item>

        <frbr-person:person identifier="http://vfrbr.info/person/1">
            <frbr-person:nameOfPerson>Bernstein, Leonard</frbr-person:nameOfPerson>
            <frbr-person:nameOfPerson>Amber, Lenny</frbr-person:nameOfPerson>
            <frbr-person:nameOfPerson>Bernstaĭn, Leonard</frbr-person:nameOfPerson>
            <frbr-person:nameOfPerson>Bernstein, L. (Leonard)</frbr-person:nameOfPerson>
            <frbr-person:nameOfPerson>Bernstein, Lenny</frbr-person:nameOfPerson>
            <frbr-person:datesOfPerson>1918-1990</frbr-person:datesOfPerson>
            <frad-person:gender>Male</frad-person:gender>
            <frad-person:placeOfBirth>Lawrence, MA</frad-person:placeOfBirth>
            <frad-person:placeOfDeath>New York, NY</frad-person:placeOfDeath>
            <frad-person:country>USA</frad-person:country>
            <frad-person:placeOfResidence>Lawrence, MA</frad-person:placeOfResidence>
            <frad-person:placeOfResidence>Boston, MA</frad-person:placeOfResidence>
            <frad-person:placeOfResidence>Philadelphia, PA</frad-person:placeOfResidence>
            <frad-person:placeOfResidence>New York, NY</frad-person:placeOfResidence>
            <frad-person:languageOfPerson>English</frad-person:languageOfPerson>
            <frad-person:professionOccupation>Author</frad-person:professionOccupation>
            <frad-person:professionOccupation>Composer</frad-person:professionOccupation>
            <frad-person:professionOccupation>Conductor</frad-person:professionOccupation>
            <frad-person:professionOccupation>Educator</frad-person:professionOccupation>
            <frad-person:professionOccupation>Pianist</frad-person:professionOccupation>
            <frad-person:biographyHistory>American composer and conductor. He studied with Walter
                Piston and Edward Burlingame Hill at Harvard University (1935–9) and with Fritz
                Reiner (conducting), Randall Thompson (orchestration), and Isabelle Vengerova
                (piano) at the Curtis Institute, Philadelphia (1939–41). He also studied conducting
                under Koussevitzky at the Tanglewood summer schools (1940–3). In 1943 he made a
                highly successful debut, substituting for Bruno Walter at a New York Philharmonic
                concert; this launched him on his international career as a conductor and eventually
                led to his appointment as music director of the orchestra (1958–68) (Source: The
                Oxford Companion to Music, Oxford Music Online. Accessed 3/1/2010).
            </frad-person:biographyHistory>
        </frbr-person:person>

        <frbr-person:person identifier="http://vfrbr.info/person/2">
            <frbr-person:nameOfPerson>Drucker, Stanley</frbr-person:nameOfPerson>
            <frbr-person:datesOfPerson>1929-</frbr-person:datesOfPerson>
            <frad-person:gender>Male</frad-person:gender>
            <frad-person:placeOfBirth>New York, NY</frad-person:placeOfBirth>
            <frad-person:country>USA</frad-person:country>
            <frad-person:placeOfResidence>New York, NY</frad-person:placeOfResidence>
            <frad-person:placeOfResidence>Philadelphia, PA</frad-person:placeOfResidence>
            <frad-person:placeOfResidence>Indianapolis, IN</frad-person:placeOfResidence>
            <frad-person:placeOfResidence>Buffalo, NY</frad-person:placeOfResidence>
            <frad-person:languageOfPerson>English</frad-person:languageOfPerson>
            <frad-person:professionOccupation>Clarinetist</frad-person:professionOccupation>
            <frad-person:biographyHistory>On June 4, 2009, Drucker was awarded a Guinness World
                Record for longest career as a clarinetist after [his] performance of Aaron
                Copland's Clarinet Concerto. Guinness logs his career at "62 years, 7 months and 1
                day as of June 4, 2009" (Source: http://en.wikipedia.org/wiki/Stanley_Drucker.
                Accessed 1/26/2010).</frad-person:biographyHistory>
        </frbr-person:person>

        <frbr-person:person identifier="http://vfrbr.info/person/3">
            <frbr-person:nameOfPerson>Copland, Aaron</frbr-person:nameOfPerson>
            <frbr-person:nameOfPerson>Koplend, Aaron</frbr-person:nameOfPerson>
            <frbr-person:nameOfPerson>Kopland, Aaron</frbr-person:nameOfPerson>
            <frbr-person:datesOfPerson>1900-1990</frbr-person:datesOfPerson>
            <frad-person:gender>Male</frad-person:gender>
            <frad-person:placeOfBirth>New York, NY</frad-person:placeOfBirth>
            <frad-person:placeOfDeath>North Tarrytown, NY</frad-person:placeOfDeath>
            <frad-person:country>USA</frad-person:country>
            <frad-person:placeOfResidence>New York, NY</frad-person:placeOfResidence>
            <frad-person:placeOfResidence>Paris, France</frad-person:placeOfResidence>
            <frad-person:placeOfResidence>Mexico</frad-person:placeOfResidence>
            <frad-person:placeOfResidence>Ossining, NY</frad-person:placeOfResidence>
            <frad-person:placeOfResidence>Rock Hill, Peekskill, NY</frad-person:placeOfResidence>
            <frad-person:affiliation>New York’s League of Composers</frad-person:affiliation>
            <frad-person:affiliation>ACA (leadership, 1939–45)</frad-person:affiliation>
            <frad-person:affiliation>AMC (co-founded, 1939)</frad-person:affiliation>
            <frad-person:languageOfPerson>English</frad-person:languageOfPerson>
            <frad-person:fieldOfActivity>Ballet</frad-person:fieldOfActivity>
            <frad-person:fieldOfActivity>Film</frad-person:fieldOfActivity>
            <frad-person:fieldOfActivity>Opera</frad-person:fieldOfActivity>
            <frad-person:professionOccupation>Composer</frad-person:professionOccupation>
            <frad-person:professionOccupation>Conductor</frad-person:professionOccupation>
            <frad-person:professionOccupation>Critic</frad-person:professionOccupation>
            <frad-person:professionOccupation>Educator</frad-person:professionOccupation>
            <frad-person:biographyHistory>American composer. The son of immigrant Jewish parents
                from Lithuania, he learnt the piano from the age of 13 and had theory lessons from
                Rubin Goldmark. He then studied with Nadia Boulanger in Paris (1921–4) and, as one
                of her first American pupils, gained a facility for neo-classicism which he
                skilfully and brashly combined with jazz in his Piano Concerto (1926). This and
                other early works, including the Dance Symphony (1925) and Piano Variations (1930),
                quickly gained him a reputation in America as a daring modernist (Source: The Oxford
                Companion to Music, Oxford Music Online. Accessed
                3/1/2010).</frad-person:biographyHistory>
        </frbr-person:person>

        <frbr-person:person identifier="http://vfrbr.info/person/4">
            <frbr-person:nameOfPerson>Burton, Anthony</frbr-person:nameOfPerson>
            <frad-person:gender>Male</frad-person:gender>
            <frad-person:country>United Kingdom</frad-person:country>
            <frad-person:placeOfResidence>North Hertfordshire, UK</frad-person:placeOfResidence>
            <frad-person:placeOfResidence>Cambridge, UK</frad-person:placeOfResidence>
            <frad-person:placeOfResidence>Hanover, NH</frad-person:placeOfResidence>
            <frad-person:placeOfResidence>Manchester, UK</frad-person:placeOfResidence>
            <frad-person:placeOfResidence>London, UK</frad-person:placeOfResidence>
            <frad-person:affiliation>Hertfordshire Chamber Orchestra</frad-person:affiliation>
            <frad-person:affiliation>Trinity College, Cambridge</frad-person:affiliation>
            <frad-person:affiliation>Dartmouth College, New England</frad-person:affiliation>
            <frad-person:affiliation>North West Arts, Manchester</frad-person:affiliation>
            <frad-person:affiliation>BBC Radio 3</frad-person:affiliation>
            <frad-person:languageOfPerson>English</frad-person:languageOfPerson>
            <frad-person:fieldOfActivity>Arts Administration</frad-person:fieldOfActivity>
            <frad-person:fieldOfActivity>Radio</frad-person:fieldOfActivity>
            <frad-person:fieldOfActivity>Recording Industry</frad-person:fieldOfActivity>
            <frad-person:professionOccupation>Arts Administrator</frad-person:professionOccupation>
            <frad-person:professionOccupation>Radio Producer</frad-person:professionOccupation>
            <frad-person:professionOccupation>Radio Manager</frad-person:professionOccupation>
            <frad-person:professionOccupation>Radio Broadcaster</frad-person:professionOccupation>
            <frad-person:professionOccupation>Record Producer</frad-person:professionOccupation>
            <frad-person:professionOccupation>Editor</frad-person:professionOccupation>
            <frad-person:professionOccupation>Record Reviewer</frad-person:professionOccupation>
            <frad-person:professionOccupation>Oboist</frad-person:professionOccupation>
            <frad-person:biographyHistory>On BBC World Service, [Anthony Burton] presented the
                390-part series The Story of Western Music, and regularly presents Music Review.
                Tony is also a record producer, the editor of the forthcoming Associated Board
                series of Performers' Guides, a record reviewer for BBC Music Magazine, and the
                author of literally thousands of programme notes, and a history of the BBC Singers.
                (Source: http://www.bbc.co.uk/radio3/presenters/anthony_burton.shtml. Accessed
                1/26/2010)</frad-person:biographyHistory>
        </frbr-person:person>

        <frbr-corporateBody:corporateBody identifier="http://vfrbr.info/corporateBody/1">
            <frbr-corporateBody:nameOfTheCorporateBody>New York
                Philharmonic</frbr-corporateBody:nameOfTheCorporateBody>
            <frbr-corporateBody:nameOfTheCorporateBody>Philharmonic-Symphony Society of New
                York</frbr-corporateBody:nameOfTheCorporateBody>
            <frbr-corporateBody:nameOfTheCorporateBody>New York Philharmonic-Symphony
                Orchestra</frbr-corporateBody:nameOfTheCorporateBody>
            <frbr-corporateBody:nameOfTheCorporateBody>Philharmonic-Symphony Orchestra (New York,
                N.Y.)</frbr-corporateBody:nameOfTheCorporateBody>
            <frbr-corporateBody:nameOfTheCorporateBody>Philharmonic-Symphony Orchestra of New
                York</frbr-corporateBody:nameOfTheCorporateBody>
            <frbr-corporateBody:nameOfTheCorporateBody>New York Philharmonic-Symphony
                Society</frbr-corporateBody:nameOfTheCorporateBody>
            <frbr-corporateBody:nameOfTheCorporateBody>Orchestra filarmonica di New
                York</frbr-corporateBody:nameOfTheCorporateBody>
            <frbr-corporateBody:nameOfTheCorporateBody>New York Philharmonic
                Orchestra</frbr-corporateBody:nameOfTheCorporateBody>
            <frbr-corporateBody:nameOfTheCorporateBody>Philharmonisches Orchester New
                York</frbr-corporateBody:nameOfTheCorporateBody>
            <frbr-corporateBody:nameOfTheCorporateBody>Nʹi︠u︡-Ĭorkskiĭ filarmonicheskiĭ
                orkestr</frbr-corporateBody:nameOfTheCorporateBody>
            <frbr-corporateBody:nameOfTheCorporateBody>Philharmonisches Symphonieorchester New
                York</frbr-corporateBody:nameOfTheCorporateBody>
            <frbr-corporateBody:nameOfTheCorporateBody>Philharmonische Symphonieorchester New
                York</frbr-corporateBody:nameOfTheCorporateBody>
            <frbr-corporateBody:nameOfTheCorporateBody>Orchestre Philharmonique de New
                York</frbr-corporateBody:nameOfTheCorporateBody>
            <frbr-corporateBody:nameOfTheCorporateBody>Philharmonic-Symphony Orch. of New
                York</frbr-corporateBody:nameOfTheCorporateBody>
            <frbr-corporateBody:nameOfTheCorporateBody>Philharmonic-Symphony Orch. of
                N.Y.</frbr-corporateBody:nameOfTheCorporateBody>
            <frbr-corporateBody:nameOfTheCorporateBody>Orquesta Filarmonica de Nueva
                York</frbr-corporateBody:nameOfTheCorporateBody>
            <frbr-corporateBody:nameOfTheCorporateBody>Orchestre Philharmonique-Symphonique de New
                York</frbr-corporateBody:nameOfTheCorporateBody>
            <frbr-corporateBody:nameOfTheCorporateBody>Philharmonic Symphony of New
                York</frbr-corporateBody:nameOfTheCorporateBody>
            <frbr-corporateBody:placeAssociatedWithTheCorporateBody>New York,
                NY</frbr-corporateBody:placeAssociatedWithTheCorporateBody>
            <frbr-corporateBody:dateAssociatedWithTheCorporateBody>1842-</frbr-corporateBody:dateAssociatedWithTheCorporateBody>
            <frad-corporateBody:languageOfTheCorporateBody>English</frad-corporateBody:languageOfTheCorporateBody>
            <frad-corporateBody:address>New York Philharmonic Avery Fisher Hall 10 Lincoln Center
                Plaza New York, NY 10023-6970</frad-corporateBody:address>
            <frad-corporateBody:address>http://nyphil.org/</frad-corporateBody:address>
            <frad-corporateBody:history>Founded in 1842 by a group of local musicians led by
                American-born Ureli Corelli Hill, the New York Philharmonic is by far the oldest
                symphony orchestra in the United States, and one of the oldest in the world. It
                currently plays some 180 concerts a year, and on December 18, 2004, gave its
                14,000th concert — a milestone unmatched by any other symphony orchestra in the
                world. (Source: http://nyphil.org/about/overview.cfm. Accessed
                1/26/2010)</frad-corporateBody:history>
        </frbr-corporateBody:corporateBody>

        <frbr-corporateBody:corporateBody identifier="http://vfrbr.info/corporateBody/2">
            <frbr-corporateBody:nameOfTheCorporateBody>Deutsche
                Grammophon</frbr-corporateBody:nameOfTheCorporateBody>
            <frbr-corporateBody:nameOfTheCorporateBody>"Grammophon"
                (Firm)</frbr-corporateBody:nameOfTheCorporateBody>
            <frbr-corporateBody:nameOfTheCorporateBody>Deutsche Grammophon Gesellschaft
                m.b.H.</frbr-corporateBody:nameOfTheCorporateBody>
            <frbr-corporateBody:nameOfTheCorporateBody>Deutsche
                Grammophon-Aktiengesellschaft</frbr-corporateBody:nameOfTheCorporateBody>
            <frbr-corporateBody:nameOfTheCorporateBody>Deutsche Grammophon
                G.m.b.H.</frbr-corporateBody:nameOfTheCorporateBody>
            <frbr-corporateBody:numberAssociatedWithTheCorporateBody/>
            <frbr-corporateBody:placeAssociatedWithTheCorporateBody>Hannover,
                Germany</frbr-corporateBody:placeAssociatedWithTheCorporateBody>
            <frbr-corporateBody:placeAssociatedWithTheCorporateBody>Hamburg,
                Germany</frbr-corporateBody:placeAssociatedWithTheCorporateBody>
            <frbr-corporateBody:dateAssociatedWithTheCorporateBody>1898-</frbr-corporateBody:dateAssociatedWithTheCorporateBody>
            <frbr-corporateBody:otherDesignationAssociatedWithTheCorporateBody>GmbH</frbr-corporateBody:otherDesignationAssociatedWithTheCorporateBody>
            <frad-corporateBody:languageOfTheCorporateBody>German</frad-corporateBody:languageOfTheCorporateBody>
            <frad-corporateBody:languageOfTheCorporateBody>English</frad-corporateBody:languageOfTheCorporateBody>
            <frad-corporateBody:address>Deutsche Grammophon GmbH Baumwall 3 20459 Hamburg
                Germany</frad-corporateBody:address>
            <frad-corporateBody:address>http://www2.deutschegrammophon.com/</frad-corporateBody:address>
            <frad-corporateBody:fieldOfActivity>Ballet</frad-corporateBody:fieldOfActivity>
            <frad-corporateBody:fieldOfActivity>Classical Music</frad-corporateBody:fieldOfActivity>
        </frbr-corporateBody:corporateBody>

        <frbr-corporateBody:corporateBody identifier="http://vfrbr.info/corporateBody/3">
            <frbr-corporateBody:nameOfTheCorporateBody>IU Music
                Library</frbr-corporateBody:nameOfTheCorporateBody>
            <frbr-corporateBody:nameOfTheCorporateBody>Indiana University. Libraries. Music
                Library</frbr-corporateBody:nameOfTheCorporateBody>
            <frbr-corporateBody:nameOfTheCorporateBody>Indiana University, Bloomington. School of
                Music. William and Gayle Cook Music
                Library</frbr-corporateBody:nameOfTheCorporateBody>
            <frbr-corporateBody:nameOfTheCorporateBody>Indiana University. Libraries. William and
                Gayle Cook Music Library</frbr-corporateBody:nameOfTheCorporateBody>
            <frbr-corporateBody:nameOfTheCorporateBody>Cook Music
                Library</frbr-corporateBody:nameOfTheCorporateBody>
            <frbr-corporateBody:nameOfTheCorporateBody>Cook
                Library</frbr-corporateBody:nameOfTheCorporateBody>
            <frbr-corporateBody:placeAssociatedWithTheCorporateBody>Bloomington,
                IN</frbr-corporateBody:placeAssociatedWithTheCorporateBody>
            <frbr-corporateBody:dateAssociatedWithTheCorporateBody>1937?-</frbr-corporateBody:dateAssociatedWithTheCorporateBody>
            <frad-corporateBody:languageOfTheCorporateBody>English</frad-corporateBody:languageOfTheCorporateBody>
            <frad-corporateBody:address>Simon Music Library and Recital Center M160 200 South Jordan
                Avenue Bloomington, Indiana 47405</frad-corporateBody:address>
            <frad-corporateBody:address>http://www.libraries.iub.edu/index.php?pageId=90</frad-corporateBody:address>
            <frad-corporateBody:history>In 1921, when the IU Department of Music became the School
                of Music, Dean Winfred Merrill began collecting a library of recordings, books, and
                scores for student and faculty use. This library was housed in glass cases in the
                Dean's office, and was supervised by his secretary. By 1928 the collection was of
                sufficient size to be listed as a departmental library in the University's guide to
                the library. With the opening in 1937 of the new Music Building (since renamed for
                Dean Merrill), separate quarters were provided for the Music Library on the
                building's second floor. In 1939, Indiana's first full-time music librarian was
                appointed, Miss Ethyl Louise Lyman. (Source:
                http://www.libraries.iub.edu/index.php?pageId=3723. Accessed
                1/26/2010)</frad-corporateBody:history>
        </frbr-corporateBody:corporateBody>

        <frbr-concept:concept identifier="http://vfrbr.info/concept/1">
            <frbr-concept:termForTheConcept>Theater</frbr-concept:termForTheConcept>
            <frbr-concept:termForTheConcept>Dramatics</frbr-concept:termForTheConcept>
            <frbr-concept:termForTheConcept>Histrionics</frbr-concept:termForTheConcept>
            <frbr-concept:termForTheConcept>Professional theater</frbr-concept:termForTheConcept>
            <frbr-concept:termForTheConcept>Stage</frbr-concept:termForTheConcept>
            <frbr-concept:termForTheConcept>Theatre</frbr-concept:termForTheConcept>
        </frbr-concept:concept>

        <frbr-place:place identifier="http://vfrbr.info/place/1">
            <frbr-place:termForThePlace>Mexico</frbr-place:termForThePlace>
            <frbr-place:termForThePlace>Meksiko</frbr-place:termForThePlace>
            <frbr-place:termForThePlace>Stany Zjednoczone Meksyku</frbr-place:termForThePlace>
            <frbr-place:termForThePlace>Meksyk</frbr-place:termForThePlace>
            <frbr-place:termForThePlace>Estados Unidos Mexicanos</frbr-place:termForThePlace>
            <frbr-place:termForThePlace>Meḳsiḳe</frbr-place:termForThePlace>
            <frbr-place:termForThePlace>Mexique</frbr-place:termForThePlace>
            <frbr-place:termForThePlace>Messico</frbr-place:termForThePlace>
            <frbr-place:termForThePlace>Méjico</frbr-place:termForThePlace>
            <frbr-place:termForThePlace>República Mexicana</frbr-place:termForThePlace>
            <frbr-place:termForThePlace>United States of Mexico</frbr-place:termForThePlace>
            <frbr-place:termForThePlace>United Mexican States</frbr-place:termForThePlace>
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