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    <vfrbr-work:work identifier="http://vfrbr.info/work/1">
      <vfrbr-work:titleOfTheWork type="uniform" offset="3" vocabulary="naf">El Salón
                México
      </vfrbr-work:titleOfTheWork>
      <vfrbr-work:formOfWork vocabulary="marcformofcomposition">Orchestral
                music
      </vfrbr-work:formOfWork>
      <vfrbr-work:dateOfTheWork type="range" normal="1932/1936">1932 to
                1936
      </vfrbr-work:dateOfTheWork>
      <vfrbr-work:mediumOfPerformance quantity="1" vocabulary="aacr2">Orchestra</vfrbr-work:mediumOfPerformance>
      <vfrad-work:subjectOfTheWork vocabulary="lcsh">Orchestral
                music
      </vfrad-work:subjectOfTheWork>
      <vfrad-work:history>The work is a musical depiction of an eponymous dance hall in Mexico
                City and even carries the subtitle, "A Popular Type Dance Hall in Mexico City."
                Copland began the work in 1932 and completed it in 1936. The Mexico Symphony
                Orchestra gave the first performance under the direction of Carlos Chávez (1937).
                The piece was premiered in the U.S. in 1938. Although Copland visited Mexico early
                in the 1930s, he based this tone poem not on songs he heard there, but rather on
                written sheet music for at least four Mexican folk songs that he had obtained: "El
                Palo Verde," "La Jesusita," "El Mosco," and "El Malacate." At least two arrangements
                of the piece exist in addition to the orchestral score. Copland adapted the work for
                the 1947 musical film Fiesta, directed by Richard Thorpe for MGM. Leonard Bernstein
                created arrangements for solo piano and for two pianos, four-hands very shortly
                after the premiere. (Source: http://en.wikipedia.org/wiki/El_Salon_Mexico. Accessed
                1/26/2010)
      </vfrad-work:history>
      <vfrad-work:history>First performance date: 1937-08-27</vfrad-work:history>
    </vfrbr-work:work>

    <vfrbr-work:work identifier="http://vfrbr.info/work/2">
      <vfrbr-work:titleOfTheWork type="uniform" offset="0" vocabulary="naf">Concertos,
                clarinet, string orchestra
      </vfrbr-work:titleOfTheWork>
      <vfrbr-work:formOfWork vocabulary="marcformofcomposition">Concertos</vfrbr-work:formOfWork>
      <vfrbr-work:dateOfTheWork type="range" normal="1947/1948">1947 to
                1948
      </vfrbr-work:dateOfTheWork>
      <vfrbr-work:mediumOfPerformance quantity="1" vocabulary="aacr2">Clarinet</vfrbr-work:mediumOfPerformance>
      <vfrbr-work:mediumOfPerformance quantity="1" vocabulary="aacr2">String
                Orchestra
      </vfrbr-work:mediumOfPerformance>
      <vfrad-work:subjectOfTheWork vocabulary="lcsh">Concertos (Clarinet with string
                orchestra)
      </vfrad-work:subjectOfTheWork>
      <vfrad-work:placeOfOriginOfTheWork jurisdiction="city" normal="Rio de Janeiro (Brazil)" vocabulary="lcsh">Rio de Janeiro, Brasil</vfrad-work:placeOfOriginOfTheWork>
      <vfrad-work:history>First performance date: 1950-11-06</vfrad-work:history>
      <vfrad-work:history>"It was in Rio de Janeiro in 1947 that [Copland] began work on his
                Clarinet Concerto, which had been commissioned by the great jazz clarinettist and
                bandleader Benny Goodman." (Program notes)
      </vfrad-work:history>
    </vfrbr-work:work>

    <vfrbr-work:work identifier="http://vfrbr.info/work/3">
      <vfrbr-work:titleOfTheWork type="uniform" offset="0" vocabulary="naf">Music for the
                theatre
      </vfrbr-work:titleOfTheWork>
      <vfrbr-work:formOfWork vocabulary="marcformofcomposition">Suite</vfrbr-work:formOfWork>
      <vfrbr-work:dateOfTheWork type="single" normal="1925">1925</vfrbr-work:dateOfTheWork>
      <vfrbr-work:mediumOfPerformance quantity="1" vocabulary="aacr2">Chamber
                Orchestra
      </vfrbr-work:mediumOfPerformance>
      <vfrad-work:subjectOfTheWork vocabulary="lcsh">Suites (Chamber
                orchestra)
      </vfrad-work:subjectOfTheWork>
      <vfrad-work:history>First performance date: 1925-11-20</vfrad-work:history>
      <vfrbr-work:note type="critical" avail="public">"The title indicates not that the music
                was written for a particular play, but simply that it evokes the general atmosphere
                of the theatre of the time - including, in the fourth movement, the low-life
                burlesque." (Program notes)
      </vfrbr-work:note>
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    <vfrbr-work:work identifier="http://vfrbr.info/work/4">
      <vfrbr-work:titleOfTheWork type="uniform" offset="0" vocabulary="naf">Connotations</vfrbr-work:titleOfTheWork>
      <vfrbr-work:formOfWork vocabulary="marcformofcomposition">Orchestral
                music
      </vfrbr-work:formOfWork>
      <vfrbr-work:dateOfTheWork type="single" normal="1962">1962</vfrbr-work:dateOfTheWork>
      <vfrbr-work:mediumOfPerformance quantity="1" vocabulary="aacr2">Orchestra</vfrbr-work:mediumOfPerformance>
      <vfrad-work:subjectOfTheWork vocabulary="lcsh">Orchestral
                music
      </vfrad-work:subjectOfTheWork>
      <vfrad-work:history>First performance date: 1962-09-23</vfrad-work:history>
    </vfrbr-work:work>

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      <vfrbr-expression:titleOfTheExpression type="uniform" offset="3" vocabulary="naf">El
                Salón México
      </vfrbr-expression:titleOfTheExpression>
      <vfrbr-expression:formOfExpression vocabulary="vfrbrformofexpression">Musical
                sound
      </vfrbr-expression:formOfExpression>
      <vfrbr-expression:dateOfExpression type="single" normal="1989-10">1989-10</vfrbr-expression:dateOfExpression>
      <vfrbr-expression:extentOfTheExpression>12:00</vfrbr-expression:extentOfTheExpression>
      <vfrbr-expression:mediumOfPerformance quantity="1" vocabulary="marcmediumofperformance">Orchestra</vfrbr-expression:mediumOfPerformance>
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      <vfrbr-expression:titleOfTheExpression type="uniform" offset="0" vocabulary="naf">Concertos, clarinet, string orchestra</vfrbr-expression:titleOfTheExpression>
      <vfrbr-expression:formOfExpression vocabulary="vfrbrformofexpression">Musical
                sound
      </vfrbr-expression:formOfExpression>
      <vfrbr-expression:dateOfExpression type="single" normal="1989-10">1989-10</vfrbr-expression:dateOfExpression>
      <vfrbr-expression:extentOfTheExpression>18:00</vfrbr-expression:extentOfTheExpression>
      <vfrbr-expression:mediumOfPerformance quantity="1" vocabulary="marcmediumofperformance">Clarinet</vfrbr-expression:mediumOfPerformance>
      <vfrbr-expression:mediumOfPerformance quantity="1" vocabulary="marcmediumofperformance">String Orchestra</vfrbr-expression:mediumOfPerformance>
    </vfrbr-expression:expression>

    <vfrbr-expression:expression identifier="http://vfrbr.info/expression/3">
      <vfrbr-expression:titleOfTheExpression type="uniform" offset="0" vocabulary="naf">Music
                for the theatre
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      <vfrbr-expression:formOfExpression vocabulary="vfrbrformofexpression">Musical
                sound
      </vfrbr-expression:formOfExpression>
      <vfrbr-expression:dateOfExpression type="single" normal="1989-10">1989-10</vfrbr-expression:dateOfExpression>
      <vfrbr-expression:extentOfTheExpression>24:00</vfrbr-expression:extentOfTheExpression>
      <vfrbr-expression:mediumOfPerformance quantity="1" vocabulary="marcmediumofperformance">Chamber Orchestra</vfrbr-expression:mediumOfPerformance>
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      <vfrbr-expression:titleOfTheExpression type="uniform" offset="0" vocabulary="naf">Connotations</vfrbr-expression:titleOfTheExpression>
      <vfrbr-expression:formOfExpression vocabulary="vfrbrformofexpression">Musical
                sound
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      <vfrbr-expression:dateOfExpression type="single" normal="1989-10">1989-10</vfrbr-expression:dateOfExpression>
      <vfrbr-expression:extentOfTheExpression>20:29</vfrbr-expression:extentOfTheExpression>
      <vfrbr-expression:mediumOfPerformance quantity="1" vocabulary="marcmediumofperformance">Orchestra</vfrbr-expression:mediumOfPerformance>
    </vfrbr-expression:expression>

    <vfrbr-manifestation:manifestation identifier="http://vfrbr.info/manifestation/1">
      <vfrbr-manifestation:titleOfTheManifestation type="transcribed" offset="3">El salón
                México ; Concerto for clarinet ; Music for the theatre ;
                Connotations
      </vfrbr-manifestation:titleOfTheManifestation>
      <vfrbr-manifestation:statementOfResponsibility>Aaron
                Copland
      </vfrbr-manifestation:statementOfResponsibility>
      <vfrbr-manifestation:publicationDistribution>
        <vfrbr-manifestation:placeOfPublicationDistribution type="publication" jurisdiction="city" normal="Hamburg (Germany)" vocabulary="lcsh">Hamburg,
                    [Germany]
        </vfrbr-manifestation:placeOfPublicationDistribution>
        <vfrbr-manifestation:publisherDistributor type="publisher" normal="Deutsche Grammophon">Deutsche
                    Grammophon
        </vfrbr-manifestation:publisherDistributor>
        <vfrbr-manifestation:dateOfPublicationDistribution normal="1991">1991</vfrbr-manifestation:dateOfPublicationDistribution>
      </vfrbr-manifestation:publicationDistribution>
      <vfrbr-manifestation:formOfCarrier vocabulary="marcmaterial">Compact
                Disc
      </vfrbr-manifestation:formOfCarrier>
      <vfrbr-manifestation:extentOfTheCarrier>1 sound
                disc
      </vfrbr-manifestation:extentOfTheCarrier>
      <vfrbr-manifestation:physicalMedium>Plastic with
                metal
      </vfrbr-manifestation:physicalMedium>
      <vfrbr-manifestation:captureMode vocabulary="marccapture">Digital
                storage
      </vfrbr-manifestation:captureMode>
      <vfrbr-manifestation:dimensionsOfTheCarrier vocabulary="marcdimensions">4 3/4
                in.
      </vfrbr-manifestation:dimensionsOfTheCarrier>
      <vfrbr-manifestation:manifestationIdentifier type="publicationnumber">Deutsche
                Grammophon:431 672-2
      </vfrbr-manifestation:manifestationIdentifier>
      <vfrbr-manifestation:manifestationIdentifier type="upc">2894316722</vfrbr-manifestation:manifestationIdentifier>
      <vfrbr-manifestation:manifestationIdentifier type="oclcnumber">(OCoLC)ocm25003614</vfrbr-manifestation:manifestationIdentifier>
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      <vfrbr-manifestation:playingSpeed vocabulary="marcspeed">1.4 m. per
                sec.
      </vfrbr-manifestation:playingSpeed>
      <vfrbr-manifestation:kindOfSound vocabulary="marcplaybackchannel">Stereophonic</vfrbr-manifestation:kindOfSound>
      <vfrbr-manifestation:specialReproductionCharacteristic vocabulary="marcspecialplayback">Digital recording</vfrbr-manifestation:specialReproductionCharacteristic>
      <vfrbr-manifestation:note type="programnotes" avail="public">Program notes by Leonard
                Bernstein and Anthony Burton (3 p.) inserted in
                container.
      </vfrbr-manifestation:note>
    </vfrbr-manifestation:manifestation>

    <vfrbr-manifestation:manifestation identifier="http://vfrbr.info/manifestation/2">
      <vfrbr-manifestation:titleOfTheManifestation type="transcribed" offset="3">El salón
                México ; Concerto for clarinet ; Music for the theatre ;
                Connotations
      </vfrbr-manifestation:titleOfTheManifestation>
      <vfrbr-manifestation:statementOfResponsibility>Aaron
                Copland
      </vfrbr-manifestation:statementOfResponsibility>
      <vfrbr-manifestation:publicationDistribution>
        <vfrbr-manifestation:placeOfPublicationDistribution type="distribution" jurisdiction="city" normal="Bloomington (Ind.)" vocabulary="lcsh">Bloomington,
                    IN
        </vfrbr-manifestation:placeOfPublicationDistribution>
        <vfrbr-manifestation:publisherDistributor type="distributor" normal="William and Gayle Cook Music                     Library" vocabulary="naf">IU Music Library</vfrbr-manifestation:publisherDistributor>
        <vfrbr-manifestation:dateOfPublicationDistribution normal="1999-04-01">1999-04-01</vfrbr-manifestation:dateOfPublicationDistribution>
      </vfrbr-manifestation:publicationDistribution>
      <vfrbr-manifestation:seriesStatement>Variations</vfrbr-manifestation:seriesStatement>
      <vfrbr-manifestation:formOfCarrier vocabulary="marcmaterial">Remote</vfrbr-manifestation:formOfCarrier>
      <vfrbr-manifestation:captureMode vocabulary="marccapture">Digital
                storage
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      <vfrbr-manifestation:manifestationIdentifier type="variationsid">ACM2567</vfrbr-manifestation:manifestationIdentifier>
      <vfrbr-manifestation:sourceForAcquisitionAccessAuthorization>IU Music
                Library
      </vfrbr-manifestation:sourceForAcquisitionAccessAuthorization>
      <vfrbr-manifestation:accessRestrictionsOnTheManifestation type="accessrestriction">To be
                used in the IU Music Library or by registered
                students.
      </vfrbr-manifestation:accessRestrictionsOnTheManifestation>
      <vfrbr-manifestation:kindOfSound vocabulary="marcplaybackchannel">Stereophonic</vfrbr-manifestation:kindOfSound>
      <vfrbr-manifestation:fileCharacteristics>.mp3</vfrbr-manifestation:fileCharacteristics>
      <vfrbr-manifestation:modeOfAccess vocabulary="vfrbrmodeofaccess">World Wide
                Web
      </vfrbr-manifestation:modeOfAccess>
      <vfrbr-manifestation:accessAddress>http://www.music.indiana.edu/cgi-bin/var/access?ACM2567</vfrbr-manifestation:accessAddress>
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                access
      </vfrbr-item:accessRestrictionsOnTheItem>
      <vfrad-item:locationOfItem timeframe="current" availability="public">Woodward
                Collection, IU Music Library
      </vfrad-item:locationOfItem>
      <vfrbr-item:extensions>
        <vfrbr-item:variations>
          <vfrbr-item:callNumber vocabulary="delerma">CD .C784
                        Ge.9
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      <vfrbr-item:accessRestrictionsOnTheItem>Restricted
                access
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    <vfrbr-person:person identifier="http://vfrbr.info/person/1">
      <vfrbr-person:nameOfPerson type="authorized" vocabulary="naf">Bernstein,
                Leonard
      </vfrbr-person:nameOfPerson>
      <vfrbr-person:nameOfPerson type="variant" vocabulary="naf">Amber,
                Lenny
      </vfrbr-person:nameOfPerson>
      <vfrbr-person:nameOfPerson type="variant" vocabulary="naf">Bernstaĭn,
                Leonard
      </vfrbr-person:nameOfPerson>
      <vfrbr-person:nameOfPerson type="variant" vocabulary="naf">Bernstein, L.
                (Leonard)
      </vfrbr-person:nameOfPerson>
      <vfrbr-person:nameOfPerson type="variant" vocabulary="naf">Bernstein,
                Lenny
      </vfrbr-person:nameOfPerson>
      <vfrbr-person:datesOfPerson type="range" normal="1918/1990">1918-1990</vfrbr-person:datesOfPerson>
      <vfrad-person:gender vocabulary="vfrbrgender">Male</vfrad-person:gender>
      <vfrad-person:placeOfBirth jurisdiction="city" normal="Lawrence (Mass.)" vocabulary="lcsh">Lawrence, MA</vfrad-person:placeOfBirth>
      <vfrad-person:placeOfDeath jurisdiction="city" normal="New York (N.Y.)" vocabulary="lcsh">New York, NY</vfrad-person:placeOfDeath>
      <vfrad-person:country normal="United States" vocabulary="lcsh">USA</vfrad-person:country>
      <vfrad-person:placeOfResidence normal="Lawrence (Mass.)" vocabulary="lcsh" timeframe="former">Lawrence, MA</vfrad-person:placeOfResidence>
      <vfrad-person:placeOfResidence normal="Boston (Mass.)" vocabulary="lcsh" timeframe="former">Boston, MA</vfrad-person:placeOfResidence>
      <vfrad-person:placeOfResidence normal="Philadelphia (Pa.)" vocabulary="lcsh" timeframe="former">Philadelphia, PA</vfrad-person:placeOfResidence>
      <vfrad-person:placeOfResidence normal="New York (N.Y.)" vocabulary="lcsh" timeframe="former">New York, NY</vfrad-person:placeOfResidence>
      <vfrad-person:languageOfPerson normal="eng" vocabulary="iso639-2b">English</vfrad-person:languageOfPerson>
      <vfrad-person:professionOccupation>Author</vfrad-person:professionOccupation>
      <vfrad-person:professionOccupation>Composer</vfrad-person:professionOccupation>
      <vfrad-person:professionOccupation>Conductor</vfrad-person:professionOccupation>
      <vfrad-person:professionOccupation>Educator</vfrad-person:professionOccupation>
      <vfrad-person:professionOccupation>Pianist</vfrad-person:professionOccupation>
      <vfrad-person:biographyHistory>American composer and conductor. He studied with Walter
                Piston and Edward Burlingame Hill at Harvard University (1935–9) and with Fritz
                Reiner (conducting), Randall Thompson (orchestration), and Isabelle Vengerova
                (piano) at the Curtis Institute, Philadelphia (1939–41). He also studied conducting
                under Koussevitzky at the Tanglewood summer schools (1940–3). In 1943 he made a
                highly successful debut, substituting for Bruno Walter at a New York Philharmonic
                concert; this launched him on his international career as a conductor and eventually
                led to his appointment as music director of the orchestra (1958–68) (Source: The
                Oxford Companion to Music, Oxford Music Online. Accessed 3/1/2010).
      </vfrad-person:biographyHistory>
    </vfrbr-person:person>

    <vfrbr-person:person identifier="http://vfrbr.info/person/2">
      <vfrbr-person:nameOfPerson type="authorized" vocabulary="naf">Drucker,
                Stanley
      </vfrbr-person:nameOfPerson>
      <vfrbr-person:datesOfPerson type="single" normal="1929" function="birth">1929-</vfrbr-person:datesOfPerson>
      <vfrad-person:gender vocabulary="vfrbrgender">Male</vfrad-person:gender>
      <vfrad-person:placeOfBirth jurisdiction="city" normal="New York (N.Y.)" vocabulary="lcsh">New York, NY</vfrad-person:placeOfBirth>
      <vfrad-person:country normal="United States" vocabulary="lcsh">USA</vfrad-person:country>
      <vfrad-person:placeOfResidence normal="New York (N.Y.)" vocabulary="lcsh" timeframe="current">New York, NY</vfrad-person:placeOfResidence>
      <vfrad-person:placeOfResidence normal="Philadelphia (Pa.)" vocabulary="lcsh" timeframe="former">Philadelphia, PA</vfrad-person:placeOfResidence>
      <vfrad-person:placeOfResidence normal="Indianapolis (Ind.)" vocabulary="lcsh" timeframe="former">Indianapolis, IN</vfrad-person:placeOfResidence>
      <vfrad-person:placeOfResidence normal="Buffalo (N.Y.)" vocabulary="lcsh" timeframe="former">Buffalo, NY</vfrad-person:placeOfResidence>
      <vfrad-person:languageOfPerson normal="eng" vocabulary="iso639-2b">English</vfrad-person:languageOfPerson>
      <vfrad-person:professionOccupation>Clarinetist</vfrad-person:professionOccupation>
      <vfrad-person:biographyHistory>On June 4, 2009, Drucker was awarded a Guinness World
                Record for longest career as a clarinetist after [his] performance of Aaron
                Copland's Clarinet Concerto. Guinness logs his career at "62 years, 7 months and 1
                day as of June 4, 2009" (Source: http://en.wikipedia.org/wiki/Stanley_Drucker.
                Accessed 1/26/2010).
      </vfrad-person:biographyHistory>
    </vfrbr-person:person>

    <vfrbr-person:person identifier="http://vfrbr.info/person/3">
      <vfrbr-person:nameOfPerson type="authorized" vocabulary="naf">Copland,
                Aaron
      </vfrbr-person:nameOfPerson>
      <vfrbr-person:nameOfPerson type="variant" vocabulary="naf">Koplend,
                Aaron
      </vfrbr-person:nameOfPerson>
      <vfrbr-person:nameOfPerson type="variant" vocabulary="naf">Kopland,
                Aaron
      </vfrbr-person:nameOfPerson>
      <vfrbr-person:datesOfPerson type="range" normal="1900/1990">1900-1990</vfrbr-person:datesOfPerson>
      <vfrad-person:gender vocabulary="vfrbrgender">Male</vfrad-person:gender>
      <vfrad-person:placeOfBirth jurisdiction="city" normal="New York (N.Y.)" vocabulary="lcsh">New York, NY</vfrad-person:placeOfBirth>
      <vfrad-person:placeOfDeath jurisdiction="city" normal="Sleepy Hollow (N.Y.)" vocabulary="lcsh">North Tarrytown, NY</vfrad-person:placeOfDeath>
      <vfrad-person:country normal="United States" vocabulary="lcsh">USA</vfrad-person:country>
      <vfrad-person:placeOfResidence normal="New York (N.Y.)" vocabulary="lcsh" timeframe="former">New York, NY</vfrad-person:placeOfResidence>
      <vfrad-person:placeOfResidence normal="Paris (France)" vocabulary="lcsh" timeframe="former">Paris, France</vfrad-person:placeOfResidence>
      <vfrad-person:placeOfResidence normal="Mexico" vocabulary="lcsh" timeframe="former">Mexico</vfrad-person:placeOfResidence>
      <vfrad-person:placeOfResidence normal="Ossining (N.Y.)" vocabulary="lcsh" timeframe="former">Ossining, NY</vfrad-person:placeOfResidence>
      <vfrad-person:placeOfResidence normal="Peekskill (N.Y.)" vocabulary="lcsh" timeframe="former">Rock Hill, Peekskill NY</vfrad-person:placeOfResidence>
      <vfrad-person:affiliation type="membership">New York’s League of
                Composers
      </vfrad-person:affiliation>
      <vfrad-person:affiliation type="membership">ACA (leadership,
                1939–45)
      </vfrad-person:affiliation>
      <vfrad-person:affiliation type="membership">AMC (co-founded,
                1939)
      </vfrad-person:affiliation>
      <vfrad-person:languageOfPerson normal="eng" vocabulary="iso639-2b">English</vfrad-person:languageOfPerson>
      <vfrad-person:fieldOfActivity type="expertise">Ballet</vfrad-person:fieldOfActivity>
      <vfrad-person:fieldOfActivity type="expertise">Film</vfrad-person:fieldOfActivity>
      <vfrad-person:fieldOfActivity type="expertise">Opera</vfrad-person:fieldOfActivity>
      <vfrad-person:professionOccupation>Composer</vfrad-person:professionOccupation>
      <vfrad-person:professionOccupation>Conductor</vfrad-person:professionOccupation>
      <vfrad-person:professionOccupation>Critic</vfrad-person:professionOccupation>
      <vfrad-person:professionOccupation>Educator</vfrad-person:professionOccupation>
      <vfrad-person:biographyHistory>American composer. The son of immigrant Jewish parents
                from Lithuania, he learnt the piano from the age of 13 and had theory lessons from
                Rubin Goldmark. He then studied with Nadia Boulanger in Paris (1921–4) and, as one
                of her first American pupils, gained a facility for neo-classicism which he
                skilfully and brashly combined with jazz in his Piano Concerto (1926). This and
                other early works, including the Dance Symphony (1925) and Piano Variations (1930),
                quickly gained him a reputation in America as a daring modernist (Source: The Oxford
                Companion to Music, Oxford Music Online. Accessed
                3/1/2010).
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      <vfrad-person:placeOfResidence normal="Hanover (N.H.)" vocabulary="lcsh" timeframe="former">Hanover, NH</vfrad-person:placeOfResidence>
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      <vfrad-person:affiliation type="membership">Hertfordshire Chamber
                Orchestra
      </vfrad-person:affiliation>
      <vfrad-person:affiliation type="education">Trinity College,
                Cambridge
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      <vfrad-person:affiliation type="education">Dartmouth College, New
                England
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                Manchester
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      <vfrad-person:affiliation type="employment">BBC Radio 3</vfrad-person:affiliation>
      <vfrad-person:languageOfPerson normal="eng" vocabulary="iso639-2b">English</vfrad-person:languageOfPerson>
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                Administration
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      <vfrad-person:fieldOfActivity type="employment">Radio</vfrad-person:fieldOfActivity>
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                Industry
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      <vfrad-person:professionOccupation>Arts
                Administrator
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      <vfrad-person:professionOccupation>Radio Producer</vfrad-person:professionOccupation>
      <vfrad-person:professionOccupation>Radio Manager</vfrad-person:professionOccupation>
      <vfrad-person:professionOccupation>Radio Broadcaster</vfrad-person:professionOccupation>
      <vfrad-person:professionOccupation>Record Producer</vfrad-person:professionOccupation>
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      <vfrad-person:professionOccupation>Record Reviewer</vfrad-person:professionOccupation>
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      <vfrad-person:biographyHistory>On BBC World Service, [Anthony Burton] presented the
                390-part series The Story of Western Music, and regularly presents Music Review.
                Tony is also a record producer, the editor of the forthcoming Associated Board
                series of Performers' Guides, a record reviewer for BBC Music Magazine, and the
                author of literally thousands of programme notes, and a history of the BBC Singers.
                (Source: http://www.bbc.co.uk/radio3/presenters/anthony_burton.shtml. Accessed
                1/26/2010)
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      <vfrbr-corporateBody:nameOfTheCorporateBody type="variant" vocabulary="naf">Nʹi︠u︡-Ĭorkskiĭ filarmonicheskiĭ
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      <vfrbr-corporateBody:nameOfTheCorporateBody type="variant" vocabulary="naf">Philharmonische Symphonieorchester New
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      <vfrad-corporateBody:address type="website" availability="public" timeframe="current">http://nyphil.org/</vfrad-corporateBody:address>
      <vfrad-corporateBody:history>Founded in 1842 by a group of local musicians led by
                American-born Ureli Corelli Hill, the New York Philharmonic is by far the oldest
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                currently plays some 180 concerts a year, and on December 18, 2004, gave its
                14,000th concert — a milestone unmatched by any other symphony orchestra in the
                world. (Source: http://nyphil.org/about/overview.cfm. Accessed
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      <vfrad-corporateBody:fieldOfActivity>Ballet</vfrad-corporateBody:fieldOfActivity>
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                University, Bloomington. School of Music. William and Gayle Cook Music
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      <vfrad-corporateBody:address type="postal" availability="public" timeframe="current">Simon Music Library and Recital Center M160 / 200 South Jordan Avenue /
                Bloomington, Indiana 47405
      </vfrad-corporateBody:address>
      <vfrad-corporateBody:address type="website" availability="public" timeframe="current">http://www.libraries.iub.edu/index.php?pageId=90</vfrad-corporateBody:address>
      <vfrad-corporateBody:history>In 1921, when the IU Department of Music became the School
                of Music, Dean Winfred Merrill began collecting a library of recordings, books, and
                scores for student and faculty use. This library was housed in glass cases in the
                Dean's office, and was supervised by his secretary. By 1928 the collection was of
                sufficient size to be listed as a departmental library in the University's guide to
                the library. With the opening in 1937 of the new Music Building (since renamed for
                Dean Merrill), separate quarters were provided for the Music Library on the
                building's second floor. In 1939, Indiana's first full-time music librarian was
                appointed, Miss Ethyl Louise Lyman. (Source:
                http://www.libraries.iub.edu/index.php?pageId=3723. Accessed
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